If you had told me that a show about a person that could know what people are felling through the power of music was going to make an episode about racial discrimination, I would have had a hard time believing you. But this week Episode of Zoey did just that, and in a perfect way.
Following straight on from the last episode where Simon was asked to make a statement to the press apologising that the Chirp was having trouble recognising people of colour, he went rough during his speech. He started talking about how there was no-one of colour on the SPRQ point board.
Fearing that Simon is going to be fired for his remarks Zoey try to help but starting a “Town Hall” meeting for everybody on the fourth floor. This scene is a perfect way of showing how other people like to think they can help without asking what they can do. I look forward to the song’s they are going to use and how they will use them. I always try and predict when a song is about to start.
The first song “Blackman in a White World.” By “Michale Kiwanuka” is not one I thought of but it’s a perfect fit. And using it during the “Town Hall” was perfection.
When Simon is called to see Danny Michael Davis, he believes he’s going to lose his job, so plans to quit but is saved when Tobin put out a social media post about the racial problems he has had to face during his time at SPRQ point, This then starts other employees of SRQ point around the world to add their stories. This saves Simons’ job and gives him the backup needed to go into the board room and demand change.
The other story within this episode is the continuation of the Resterunt Max and Mo are trying to start up. Still, in need of an investor Zoey surgest’s Danny Michale Davies and after a rapid pitch that involves a slight problem with the app, they get the money needed to get up and running. To solve the bug within their app, Max enlists the help of some of his old work colleague’s on the Fourth floor.
In the final scene of this week’s episode, Simon celebrates the changes he has helped implement at SPRQ Point, but he still knows it’s a fine line, which is summed up perfectly by using the song “Tightrope” by “Janelle Monae”.
I may have said this before, but I believe this is a more adult Glee, and I’m happy about this.